February 16, 2007

Heart Preservation Week

Varnaline “Only One”

Yeah, so I lied last week about not playing hooky, thus making the Baby Jesus cry. Sorry, Baby Jesus.

This was gonna be a post with a couple Prince covers, but consider that TK as I try to make up for missing the opportunity for a Valentine’s entry. But then, for those in love, why pick out only one day a year to celebrate it? I guess it’s just the powerful candy, flowers and heart-shaped-things lobby in action, as well as the delicious opportunity to make the heartbroken feel that much shittier. I remember those days.

Anyway, I want to share with y’all one of my favorite love songs, by an artist who’s been slept on to ridiculous proportions–Varnaline.

Over the course of four full-lengths and an EP from 1996 to 2001, Anders Parker laid down some tuneful, somber music that was reminiscent of Neil Young while maintaining an individual songwriting voice, spanning styles from country rock to a sort of post-grunge power pop with some interestingly atmospheric stops along the way.

But it felt like nobody talked about him. He released a solid record under his own name last year, again, to little attention (although hopefully I’ll get to highlighting a tune or two from there another day).

As for “Only One,” off the acoustic A Shot and a Beer EP (1997), it’s an aching ballad about love that endures. I’ve confessed my infatuation with songs about new love in bloom, but this tune kills me by going in the exact opposite direction–a man struck with wonder over the luck he’s found years along, in a lived-in relationship.

Parker employs simple elements, acoustic strums accented with a spidery arpeggio, a little mandolin in the right places, while the words imply a history, life in its mundanity and high drama. The vocal performance is subtle and supremely sympathetic. You can hear him searching around the cavernous sound of his own voice for the twang, the warble and the gravel called for in each moment. And it doesn’t hurt that, formally, the song has a tight structure where the verses smartly play off each other.

It’s not sugarcoated or starry-eyed. There’s a number of explicit acknowledgements of the tough times and mistakes. But it still comes around to the same point: “when I think of you/you’re the only one.”

A Shot and a Beer is out of print, but findable on Amazon.

— Wayne @ 8:18 am (single song, mp3, stuck in the 90s, varnaline)

Powered by WordPress