Rabbits, Rifles, Celtic Hearts
Ted Leo “Under The Hedge” (Demo)
I’m kind of a Ted Leo/Pharmacists superfan, and I realized that a couple months into hacking away at this newfangled “blag” thing all the kids are talking about, I haven’t featured any music by dude.
He pulls off his Thin Lizzy/Jam/Elvis C./dubby vein of punk-inspired smart rock–not exactly a trendy endeavor at any point in the last decade or so–without being, to these ears, wholly derivative. His songs are catchy, and the POV of his lyrics show a guys whose head and heart are in the right place. And anyone who’s seen the live sweat knows Leo’s like the Hardest Working Man in Indie Rock. (Or is that damning with faint praise?)
So today we have the demo version of “Under The Hedge” (The Tyranny of Distance, 2001), provenance unknown but possibly nabbed from TedLeo.com in the past. In its nascent stage, it’s a bit slower than the harder-rockin’ album version, which I’d argue allows the song of the song to come through a little more. Everything else is intact, from the opening step-dancin’ riff to the big solo. I’m never 100% sure I’m totally getting Leo’s point, and maybe I’m copping out before I even get going here, but “Under The Hedge” nails, for me, that special crushed-out feeling.
The demo take is incrementally more tentative-sounding than the final album version, and what befits being crushed out more than butterfly-bellied doubt? Sometimes it feels like yr just talking yrself into it. But it feels like love, even (especially?) if it’s not returned. Sometimes you feel a little like a spectator. In this case, the metaphor employed, watching from the margins, hiding in the bushes, should be creepy and stalkerish. But the openness of the melody and the chime of the arpeggio in the verse makes it sound sweet.
The song also has the sense of rooting for someone who doesn’t see in herself all the wonder you see in her. (Make that “himself … him,” as appropriate.) The White Knight Syndrome lives on, expressed aphoristically here by Mr. Leo. Actually, this evokes a particular long-ago crush from me, in the bad old days. So as much as I know that the kind of infatuation described in “Under The Hedge” is a bad idea, it still feels romantic to me.
The Tyranny of Distance at Newbury Comics. (MP3s at iTunes and Insound.)

The Sarcastic Idiocy Forum bids you all a joyous Mothmas season, and hopes that Mothra will accept you into her heavenly cocoon.
http://www.thesif.net/SIF/index.php?
Comment by Political.Asylum — December 11, 2006 @ 11:45 am
OK, that’s random enough. But I can get behind sarcastic idiocy, I guess. G-d (Mothra?) bless.
Comment by Wayne — December 11, 2006 @ 11:53 am
There’s a Ted Leo+ live set up on rbally.net.
Comment by Dave — December 11, 2006 @ 7:28 pm
To be specific, the show is right here.
I thought rbally had hung up its blogging shoes. This revival is good news.
Comment by Wayne — December 11, 2006 @ 8:33 pm
Although I’m a firm believer that the beauty of songs is that they get their meaning from the the writer and the listener, Ted actually confirmed that Under the Hedge was written with Guided By Voices in mind. It’s funny that you got that sense of rooting that he had in mind, but made it personal.
Comment by John — December 12, 2006 @ 7:15 pm
I wonder if Jodi knows about Ted and Uncle Bob…
Comment by Wayne — December 13, 2006 @ 6:17 am
[…] So this week PCR turned into High Fidelity (just in time for the Broadway musical!). I don’t know why, but you got a Spoon break-up song in between little remembrances of (the end of) summer love, an unrequited crush and recovery from the dissolution of my first really significant relationship. […]
Pingback by Paper Covers Rock » Can You Hear Me Now? — December 22, 2006 @ 8:15 am
Hi webmaster!
Comment by Kazelnve — September 1, 2008 @ 1:23 pm
Hi webmaster!
Comment by Kazelbtq — September 4, 2008 @ 12:20 pm